The glaze unfolds in soft, warm tones of beige and muted earth — reminiscent of fine sand under sunlight. Subtle variations and gentle transitions evoke the natural irregularity of a sandy beach, shaped by wind and time.

Toward the foot, the surface transitions into darker exposed clay, grounding the piece in its raw material and creating a quiet visual contrast.

Inside, the glaze settles into smooth, continuous layers with delicate tonal shifts, forming calm, minimal landscapes shaped by the kiln. These nuances are unrepeatable, giving each bowl its own character.

The form is compact and slightly rounded, offering a stable grip and comfortable handling during whisking. The thickness supports thermal stability, while the interior curvature facilitates smooth matcha preparation.

A calm, tactile piece that reflects simplicity and warmth — bringing the focus back to clay, water, and tea.

Pairs naturally with the matching Sandy Shore chasen holder.

Written by Gabriele

About the artist

Başak Egeli is a ceramic artist based north of the Sea of Marmara, where she built her atelier next to her countryside home.

After a career as an attorney, she chose to fully dedicate herself to working with clay — driven by a strong, personal connection to the material.

Her approach is defined by restraint and honesty. She allows the clay to remain visible, embracing natural textures, irregularities, and transitions. Her glazes draw from landscapes around her — sand, earth, and water — translated into understated, functional forms.

Her work is meant to be used daily, where aesthetic and function converge in simple rituals like preparing tea.

In the video below, discover how we met Başak in Turkey and how the Nannuoshan collection came to life.