Big, bright monitoring. Now with wireless video.
The Atomos Shinobi 7 RX combines the brightness and size of a full-featured 7-inch HDR monitor with built-in wireless video receiving—delivering a powerful, cable-free monitoring solution for directors, ACs, clients, or camera operators. Whether you’re working on a large set or a run-and-gun shoot, the Shinobi 7 RX brings accurate, real-time video monitoring anywhere it’s needed.

Key Features

• 7-inch HDR screen with a peak brightness of 2200nits
• Professional monitoring tools include EL Zone/ARRI false color, histogram, waveform, zebra, focus peaking
• HDMI / 3G-SDI input and output
• Camera control over USB-C
• Touch to focus
• Integrated 5G Wi-Fi for low latency (<60ms) receive from Atomos TX
• Stunning 10+ stops of dynamic range in real-time from Log/PQ/HLG signals
• Dual NPF battery slots

Camera Control & Touch to Focus
Take control of Canon, Fujifilm, Nikon, Panasonic, and Sony cameras via USB-C, plus Z CAM cameras via optional USB-C to serial cable.

Advanced Monitoring Tools with AtomOS
Powered by AtomOS 11, the Shinobi 7 RX includes all the tools professionals rely on for exposure, focus, and framing. Use waveform, histogram, vectorscope, EL Zone, ARRI false color, frame guides, anamorphic de-squeeze, custom LUTs to get the perfect shot. The Shinobi’s unique Analysis mode also provides a suite of scopes on a single page, making it easy to compare signals at a glance.  The user interface is intuitive, responsive, and fast to navigate.

Connectivity
The addition of Wi-Fi connectivity provides a stable link between the Shinobi 7 RX and the TX component of Atomos’ TX-RX wireless video system, or a RTSP H.264 stream. This enables wireless connectivity, making it an ideal director’s monitor, focus puller’s monitor, program or preview display for video switchers.

Receive Wireless Video with TX Compatibility
Paired with the Atomos TX wireless transmitter, the Shinobi 7 RX becomes a fully wireless on-set monitor, receiving up to 4Kp30 or 1080p60 HDMI signals with low latency over 5GHz Wi-Fi. It supports wireless video transmission, giving you the freedom to monitor the shot without crowding the camera crew.

High-Brightness 7″ Touchscreen Display
With a stunning 1920 x 1200 resolution and 2200 nits of brightness, the Shinobi 7 RX is ready for indoor and outdoor viewing. Whether you’re working in direct sunlight or on a controlled set, the ultra-bright display ensures you can see every detail clearly. It’s perfect for HDR and Log workflows, with support for Rec.709, PQ, and HLG monitoring.

Built to Work on Any Set
The Shinobi 7 RX is lightweight yet rugged, with dual Sony L-series battery slots for hot-swappable power and long-lasting performance on set. HDMI input and output ensure you can also use it as a conventional wired monitor. Whether mounted to a rig, stand, or used handheld, it’s a flexible tool for every department on set—from camera to directing and beyond.

Physical

• Dimensions (W x H x D mm): 198mm x 133mm x 39mm
• Weight: 580g (excluding batteries and antennas)
• Mounting Points: 1 x anti-rotation 1/4-inch top and bottom

Environmental

• Ambient Operating Temperature: Up to 40 degrees Celsius

Construction

• Body: ABS polycarbonate
• Cooling: Heat sink + actively controlled fan

Power

• Input voltage: 6.2V - 16.8V
• Operating power: 26W
• Multi-function button: Power / lock screen
• Continuous power: Via NP-F battery or USB-C PD Power
• DC in connector: Via Battery Eliminator (optional)
• USB PD IN: 45W capable, power supply required
• USB PD OUT: Up to 13W

Display

• Size: 7-inch HDR screen with a calibrated peak brightness of 2200nits
• Resolution: 1920 x 1200
• Backlight Type: Edge-lit
• Brightness (cdm2 / Nits): 2200
• Panel ratio: 16:10
• Color Gamut: Rec.709
• Calibration support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable

Color Pipeline

• Gamma: Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
• Gamut: BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
• 3D LUT Display: .Cube format (17 & 33 points supported)
• 3D LUT Down Stream: Loop out
• 3DLUT 50/50: Yes
• Monitoring Modes: SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT

Video Input

• HDMI: 1 x HDMI (2.0)
• Locking port: N/A
• SDI: up to 1080p60
• Wi-Fi: Wi-Fi 6E
• USB: 1 x USB-C 2.0/3.0
• Bit Depth: 8/10-bit video
• Video Chroma Subsampling: 4:2:2

Video Output

• HDMI: 1 x HDMI (2.0)
• Locking port: N/A
• SDI: 1 x 3G-SDI
• Wi-Fi: Wi-Fi 6E
• USB: 2 x USB-C 2.0/3.0
• Bit Depth: 8/10-bit video
• Video Chroma Subsampling: 4:2:2

Metadata

• HDMI: N/A

Network

• Wi-Fi: Wi-Fi 6E

Connectivity

• LANC: Yes

Audio In/Out

• HDMI: 2-channel, 24-bit
• SDI: 8-channel, 24-bit
• Headphone Out: 3.5mm headphone jack, 2-channel

Timecode

• Embedded: HDMI (display only)
• Time of day: Yes
• Reference / Genlock input: No
• LTC: No

Resolution & Frame Rates

• 4K DCI: 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60p
• 4K UHD: 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60p
• 2K DCI 2048 x 1080: Yes
• 1080p: 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60 / 100 / 120p
• 1080 PsF: Converted to P and looped out PsF
• 1080i: 50 / 59.94 / 60i
• 720p: 50 / 59.94 / 60p

Supported Media

• SD: To update firmware and upload LUTs
• File System: FAT32, NTFS

On-screen Monitoring Tools

• MultiScope Analysis View: Image, WFM, vector, histogram
• Waveform: 3 sizes – adjustable opacity & brightness
• Histogram: 1 sizes – adjustable opacity & brightness
• RGB parade: 3 sizes – adjustable opacity & brightness
• Vectorscope: 2 sizes – adjustable opacity & brightness
• 1 x Zoom: Yes. 1:1 pixel mapping for 4K
• 2 x Zoom: Yes
• 4 x Zoom: Yes
• Focus peaking: 4 modes (color, black & white, outline, edge sharpening) with adjustable outline color & peaking intensity
• Atomos False Color: Yes, with scale
• Zebra: Adjustable threshold (50% to 105%)
• Isolate color channel: Blue Only
• Cine Frame Guides: Presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9
• Social Frame guides: Presets for 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2
• Safe areas: SMPTE safe title area – 93% & 90%
• Grid markers: 9 grid
• Anamorphic desqueeze: 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x
• Display Flip: Horizontal & vertical

External Device Control

• USB-C: Camera control for supported cameras via USB-C. Controllable functions: Record Trigger, White Balance, Shutter Speed, Shutter Angle (if supported by camera), Aperture, ISO, Camera Overlays, Record Indicator, Touch to Focus - see Atomos website for camera model compatibility. USB-C port can also be used with external calibrators (no PC required).
• Serial 2.5mm Jack: Calibration via optional USB to serial cable