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Hadji Jalili (in some sources Haji Jalili, in others Haji Khalil) led one of the most prestigious carpet ateliers in Tabriz from approximately 1880 through the early 1910s. His workshop became known for an exceptionally refined adaptation of classical Persian medallion vocabulary — softer palette ratios than typical late-Qajar Tabriz, more attention to border-to-field proportional relationships, and a signature use of cream and dusty-rose tracery against deeper grounds (often navy, sometimes burgundy).
The Hadji Jalili register is recognizably distinct from generic Tabriz output: more painterly in floral drawing, more disciplined in border construction, and palette-restrained in a way that became the standard for collector-grade Tabriz pieces. A genuine Hadji Jalili at auction can sell for many multiples of an unmarked Tabriz of comparable age and condition.
Distinct from the cohort's Late-Qajar Tabriz register (used on Dark Gray Late-Qajar sibling) — that's the broader Tabriz tradition; this is the Hadji Jalili master-atelier sub-register specifically. Distinct also from the Ardabil Navy anchor (16th-c. Safavid court).
1200 Reeds (1200 شانه) on premium cotton warp; density over 3,000,000 knots/m² (تراکم). Engineered consistency.
Stocked in 3×6, 3×10, 5×7.5, 6.5×10, 8.2×11.5, 10×13 ft. Strongest at 6.5×10 and 8.2×11.5.
Best for: rooms wanting connoisseur-grade Tabriz reference — the Hadji Jalili register is the cohort's most auction-house Navy register.
Skip if the brief is canonical-court (use the Ardabil anchor) or you want eastern-Iranian restraint (use the Mashhad sibling).
See it at our Watt Avenue showroom. Free local delivery within Sacramento metro.
New to 1200 Reeds & density terminology? Read our complete guide to reed count, shaneh, and tarakom.
Ships within 48 hours · Estimated delivery Jul 29 - Aug 3
US$40
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