Title 🖼️ Antique Victorian Oil Painting of Persimmon Racehorse with Jockey Jack Watts – Royal Thoroughbred Owned by King Edward VII – Newmarket Sporting Portrait in the Manner of John Frederick Herring Sr. (c.1898)

Subject & Medium 🎨

English School, late 19th century.

A notable historical sporting portrait depicting the celebrated racehorse Persimmon at Newmarket. Executed in the manner of John Frederick Herring Sr., this late Victorian oil painting is rendered on wooden panel, circa 1898.

Composition & Technique 🖌️

A characterful naïve profile portrait of Persimmon, centrally positioned and presented with quiet authority. The horse’s elongated proportions, slightly rigid stance, and simplified modelling indicate the hand of a provincial artist, while the tack is described with careful and attentive detail.

The jockey is shown upright and composed, almost emblematic in pose, reinforcing the formal and commemorative nature of the composition.

Particularly striking is the treatment of the horse’s head, where a small, sharply defined eye, highlighted with a pinpoint of light, conveys alertness and intelligence. This detail lends the subject a strong sense of presence and individuality.

The simplified racecourse setting, with low horizon and white running rails, provides context without distraction. A restrained palette of greens and ochres enhances both its decorative appeal.

About the Horse 🐎

Persimmon was among the most celebrated Thoroughbred racehorses of the late Victorian era, bred at the Royal Stud. He was sired by the great St Simon and out of Perdita II, combining exceptional pedigree with outstanding performance.

He was admired for his powerful conformation, deep chest, and balanced frame, as well as for his calm yet determined temperament. His ability to settle before delivering a sustained finish made him particularly formidable on the racecourse.

From nine starts he secured seven victories, including:

• The Derby (1896)
• Ascot Gold Cup
• Eclipse Stakes

His Derby victory, achieved under royal ownership, was a major national event and secured his place among the great racehorses of the period.

Following retirement, he stood at stud at Sandringham, becoming a leading sire and exerting lasting influence on British and international bloodlines.

About the Jockey 🏇

Jack Watts was one of the leading jockeys of the late 19th century, recognised for his balance, tactical intelligence, and composure under pressure.

He rode Persimmon in his most important victories, including the 1896 Derby, where his measured handling allowed the horse to perform to full effect. His riding style was characterised by patience and control, essential qualities when managing elite Thoroughbreds.

In this portrait, Watts is depicted with formal restraint, reinforcing both his professional standing and the conventions of Victorian sporting portraiture.

About the Owner 👑

Persimmon was owned by the Prince of Wales, later King Edward VII, one of the most influential royal patrons in British racing history.

His involvement in breeding and racing at Sandringham helped establish the Royal Stud as a centre of excellence. Persimmon’s Derby victory in 1896 was widely celebrated and represented a significant moment of national pride.

Royal ownership adds considerable historical importance to the painting, linking it directly to the social and cultural fabric of late Victorian Britain.

About the Trainer 🎩

Richard Marsh, based at Egerton House Stables in Newmarket, was one of the foremost trainers of his generation.

As trainer to the Prince of Wales, he was responsible for preparing Persimmon for elite competition. His expertise and management were instrumental in the horse’s success, placing him among the key figures behind Persimmon’s achievements.

Historical Significance 📜

This painting commemorates one of the most important racehorses of the Victorian period, capturing a moment when horse racing, society, and monarchy were closely intertwined.

Works of this type provide valuable insight into the broader culture of British sporting art, particularly outside academic circles, preserving both likeness and legacy in a direct and accessible manner.

About the Artist 🧑🎨

Attributed to an unknown English provincial artist working in the late 19th century, in the tradition of John Frederick Herring Sr..

By this period, Herring’s influence had spread widely, with regional artists adopting his compositional format of clear profiling, minimal landscape, and emphasis on recognisable subjects.

This example reflects that tradition, combining naïve execution with strong decorative appeal and historical authenticity.

Signed ✍️

Unsigned; inscribed “PERSIMMON” lower centre.

Framed 🖼️

Presented in a later Larson-Juhl gilt moulded frame, complementing the painting’s warm tonal qualities.

Size 📏

Frame: 36.5 cm (h) × 42.5 cm (w) × 4 cm (d)
Image: 23.5 cm (h) × 29 cm (w)

Provenance 📚

Side Door Studio, Winchester, Hampshire
Paul Ting, Thorpe, Suffolk
Cheshire Antiques Consultant LTD

Why You’ll Love It ❤️

✅ A rare depiction of a Royal Derby-winning racehorse
✅ Strong Victorian sporting and historical interest
✅ Attribution note provincial work in the Herring tradition
✅ Distinctive naïve style with authentic period character
✅ Decorative and highly collectible equine artwork
✅ A compelling conversation piece with documented provenance

Condition Report 🔍

The panel is structurally sound. The surface shows age-related wear including foxing, light abrasions, scattered paint loss, and areas of softened varnish.

A visible vertical panel join is present and stable. Fine craquelure is evident throughout, consistent with age.

The paint layer is thin, with visible brushwork typical of a provincial naïve technique. The reverse shows expected handling and age marks.

Overall, the painting presents well, retaining good colour and clarity.