Double LP version. On their last trip to Silberland, hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to immerse listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the '60s avant-garde, these musicians utilized the sweeping scope of the synthesizer to create expansive meditations. This compilation offers a survey of this singular era, blending pioneering voices with lesser-known artists for an immersive sonic experience. Taken from Cluster & Eno's self-titled 1977 album, "Ho Renomo" opens the set with a profound minimalism. Roedelius' "Veilchenwurzeln" follows, evoking pastoral scenes in a multi-layered and undulating composition, where synths flow gently, conjuring images of open fields and embodying an organic warmth. Der Plan's "Die Wüste" delves into darker territories, translating the visual world of Rainer Kirberg's cult film into a stark soundscape, while Rolf Trostel's "Hope Is The Answer" sees a steady sequence rise and fall beneath the filter. The koto-like plucks and piercing drones of Vono's "Hitze" create a mysterious and hypnotic experience which draws on both ancient and futuristic tones before giving way to "E-Night", a recording from the sessions of You's 1980 LP Electric Days. As the album progresses, Serge Blenner's "Phrase IV" beguiles with minimalist yet celestial synth lines, while Moebius' "Falsche Ruhe" offers a quiet, haunting meditation on solitude. From there, Harald Grosskopf's "Oceanheart," envelops listeners in aquatic ambient textures that suggest serene, moonlit waters -- a perfect surface to reflect the starry sky portrayed by Lapre's acoustic guitar and wistful synths. The glimmering, crystalline, landscape of Riechmann's "Abendlicht" finds a heartbeat amongst the tranquility, leading seamlessly into the unhurried progression of shimmering chords and chiming synths which make up Adalbert von Deyen's "Per Aspera Ad Astra". Unreleased until Bureau B's recent retrospective set, Faust's "Lampe An, Tür Zu, Leute Rein!" channels a darker, introspective, energy, marked by drones and field recordings while Conrad Schnitzler's "Electric Garden" creates an electronic biosphere buzzing with synthetic life. Moebius & Plank's "Nordöstliches Gefühl" pairs calm percussion and rhythm guitar with pastoral, swirling electronics, resulting in a lush, stately piece that captures the spirit of a vast, open landscape. Deutsche Wertabeit delivers hypnotic minimalism, before Asmus Tietchens' "Räuschlinge" pulls the listener into an eerie atmosphere of deep disquiet. Pyrolator's "Minimal Tape 1/8" offers an immersive wall of sound. The wintry "Southland" by Rüdiger Lorenz evokes the isolation of frozen landscapes, a fitting prologue for "Alleewalzer" by Thomas Dinger.