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La Scapigliata (circa 1506–1508) by Leonardo da VinciLa Scapigliata (c. 15061508) Leonardo da Vinci Light breathed into wood. In this intimate, unfinished head, Leonardo lets the face emerge in tender sfumato while the hair dissolves into swift, lively strokeshence La Scapigliata, the dishevelled one. Serenity meets spontaneity: a study that feels miraculously alive, as if the sitter has just turned toward the light. Why it captivates Sublime sfumato flesh modeled in vapor soft transitions, signature
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La Scapigliata (c. 1506–1508) — Leonardo da Vinci

Light breathed into wood. In this intimate, unfinished head, Leonardo lets the face emerge in tender sfumato while the hair dissolves into swift, lively strokes—hence La Scapigliata, “the dishevelled one.” Serenity meets spontaneity: a study that feels miraculously alive, as if the sitter has just turned toward the light.


Why it captivates

  • Sublime sfumato — flesh modeled in vapor-soft transitions, signature Leonardo.

  • Unfinished magic — a meeting of exacting form and free, calligraphic hair.

  • Quiet emotion — downcast eyes, a calm that rewards long looking.

  • Studio intimacy — a rare glimpse of process, not just polish.

  • Art-historical treasure — held at the Galleria Nazionale di Parma.

  • Statement artwork — serene centrepiece for living rooms, studies, and libraries.


What you’ll see

A softly turned female head on a warm ground; lids lowered, mouth gently poised; the face resolved with smoke-fine modeling while hair loosens into expressive, sketch-like strands. Up close: delicate transitions and confident, economical line. From a step back: a luminous presence, quiet and unforgettable.


A richer historical frame

Attributed to Leonardo da Vinci, and dated to around 1506–1508, La Scapigliata likely began as a studio study—a meditation on light, contour, and inner stillness. Its small scale and unfinished surface amplify the intimacy that later masterpieces only hint at, bridging drawing and painting in one concentrated vision.


Choose your finish

🌟 Heavyweight Paper (160 gsm matte)
Archival-grade, smooth matte stock ideal for framing under glass. Crisp detail, minimal glare.

💎 Laminated (True Encapsulation)
Sealed in 2 × 80-micron gloss laminate, edge-to-edge. Durable, wipe-clean—perfect for busy spaces.

🪵 Laminated + Timber Hang Rails (Ready to hang)
Lacquered natural timber rails with fitted hanging cord; no frame required.
Please allow up to 10 working days for hang-railed delivery.

🏆 Archival Canvas (395 gsm HP Professional Matte)
Museum-quality texture with pigment-based, fade-resistant inks for rich tone and fine detail.

🪵 Canvas + Timber Hang Rails (Gallery-ready)
As above, supplied with lacquered natural timber rails and hanging cord.
Please allow up to 10 working days for hang-railed delivery.


Size (W × H)

560 × 841 mm (approx. 22.05 × 33.11 in)

  • Orientation: Portrait

  • Aspect ratio: ~0.666 : 1

  • Nearest standard frame: A1 portrait (594 × 841 mm) with a custom mat

  • Framing tips:

    • Classic: cut the mat window to ~556 × 837 mm for a neat 2–3 mm edge overlap.

    • Contemporary: float-mount within an A1 frame for a slim, elegant reveal.

Custom sizing: Available on request (alternative aspect ratios or added white border).


Specifications

Feature Details
Title La Scapigliata (The Dishevelled One)
Painted c. 1506–1508
Historical Context Late Leonardo study; intimate sfumato modeling on warm ground
Print Size 560 mm (W) × 841 mm (H)
Available Finishes Paper, Laminated, Laminated + Timber Hang Rails, Canvas, Canvas + Timber Hang Rails
Paper Weight 160 gsm archival matte
Laminate 2 × 80-micron gloss (true encapsulation)
Canvas Weight 395 gsm HP Professional Matte Canvas
Inks Pigment-based, fade-resistant
Optional Hang Rails Natural timber, lacquered; fitted hanging cord (allow up to 10 working days)
Origin Printed in Australia

Who it’s for

  • Renaissance enthusiasts and admirers of Leonardo’s sfumato

  • Collectors & stylists curating calm, reflective interiors

  • Educators & galleries exploring studio practice and unfinished works

  • Gift-givers marking weddings, anniversaries, and graduations


Our Commitment

Every print is produced locally in Australia on premium substrates with careful colour management, then hand-checked and packed so it arrives ready to impress. From studio to wall, we stand behind the craftsmanship and historical integrity of your piece.

Invite Renaissance serenity into your space—order your fine-art print of Leonardo’s La Scapigliata today.

La Scapigliata (circa 1506–1508) by Leonardo da Vinci

Item no : 79694243546
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