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home > Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with Dante > Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with Dante
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Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with DanteFocusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools HD Interface with Dante The Focusrite Red 16Line is a state of the art 64 in 64 out audio interface designed for professionals who demand high quality audio performance. Equipped with dual Thunderbolt 3 ports and Pro Tools HD connectivity, this versatile interface offers seamless integration with multiple DAWs without the hassle of reconfiguring option cards. The unit boasts ultra low latency A
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Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with Dante

The Focusrite Red 16Line is a state-of-the-art 64-in/64-out audio interface designed for professionals who demand high-quality audio performance. Equipped with dual Thunderbolt 3 ports and Pro Tools | HD connectivity, this versatile interface offers seamless integration with multiple DAWs without the hassle of reconfiguring option cards. The unit boasts ultra-low latency A-D/D-A conversion, delivering up to 121dB dynamic range. Additionally, the Red 16Line comes with dual-port Dante connectivity for easy expansion over Ethernet, making it a versatile choice for any studio setup.

Not only does the Red 16Line deliver superior audio conversion, it also revolutionizes your workflow. With its ultra-low round trip latency, you can now record and overdub in a single mix, eliminating the need for separate monitoring mixes. It features extensive analog I/O, including 16 line inputs and outputs, two main monitor outputs, and two digitally controlled Red Evolution mic preamps that provide up to 63dB of ultra-clean gain. All these features make it the preferred choice for professional recording studios and audio engineers who seek optimum performance and flexibility.

Included with the Red 16Line are Focusrite's renowned Red 2 and Red 3 EQ and compression plug-ins, allowing you to emulate classic sounds directly within your mix. Completing the package is the RedNet Control software, which offers an intuitive interface for setting up monitoring and routing configurations, giving you complete control over your workflow.

Key Features

  • Connect to Pro Tools | HD, Thunderbolt computers, and Dante simultaneously without option cards
  • High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
  • Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
  • 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
  • Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter, and phase reverse
  • Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
  • Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
  • Dual-port Dante card for more channels at higher sample rates
  • Three LCD displays for highly accurate level metering
  • Focusrite Control software mixer for setting up monitoring and routing configurations, with remote control of preamps
  • Two discrete high-fidelity headphone outputs
  • Connect multiple digital sources using word clock I/O and loop-sync I/O
  • Two instrument inputs on the front panel
  • AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins

Specifications

  • System Requirements: Internet connection for downloading and installing software and driver
  • Simultaneous Inputs & Outputs: Up to 64 x 64
  • Gain Range: 0-8dB to 63dB in 1dB steps
  • Type: Electronically Balanced, Zin = 20k Ohm
  • Max. Input Level: Greater than +19dBu, min gain
  • Frequency Response: 20Hz - 35kHz +/-0.2dB
  • THD + N: -102dB (0.0008 percent) @ -1dBFS
  • EIN: Less than -129dBu 'A'-Weighted (typical)
  • Signal-To-Noise Ratio: 119dB 'A'-Weighted (typical)
  • Common-Mode Rejection Ratio: 50/60Hz CMRR: -70dB
  • Phantom Power: +48V, independently switchable per channel
  • HPF: High-Pass Filter (HPF): -3dB @ 80 +/- 3Hz, 12dB/Octave, independently switchable per channel
  • Air Mode: 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO
  • 0 DBFS Reference Level: +18 or +24dBu (switchable)
  • Line Inputs 1-16 0 DBFS Reference Level: +18 or +24dBu (switchable)
  • Line Inputs 1-16 Type: Electronically Balanced, Zin = 20kO
  • Line Inputs 1-16 Frequency Response: 20Hz - 35kHz +/-0.2dB
  • Line Inputs 1-16 THD + N: -102dB (0.0008 percent) @ -1dBFS
  • Line Inputs Signal-To-Noise Ratio: 119dB 'A'-Weighted (typical)
  • Line Inputs 1-16 Common-Mode Rejection Ratio: 50/60Hz CMRR: -70dB
  • Instrument Inputs Gain Range: 0-8dB to 63dB in 1dB steps
  • Instrument Inputs Type: Zin = 2.3MO
  • Instrument Inputs Max. Input Level: Greater than +15dBu, min gain
  • Instrument Inputs Frequency Response: 20Hz - 35kHz +/-0.2dB, min gain
  • Instrument Inputs THD + N: -100dB (0.001 percent) @ -1dBFS (@ 11dB Gain)
  • Instrument Inputs Signal-To-Noise Ratio: 117dB 'A'-Weighted (typical), min gain
  • Instrument Inputs HPF: -3dB @ 80 +/- 3Hz, 12dB/Octave, independently switchable per channel
  • Instrument Inputs Air Mode: 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
  • Line Outputs 1-16 0 DBFS Reference Levels: +18 or +24dBu (switchable)
  • Line Outputs 1-16 Frequency Response: 20Hz - 35kHz +/-0.2dB
  • Line Outputs 1-16 THD + N: Less than -104dB (0.0006 percent) unweighted, 20Hz - 20kHz; -1dBFS input
  • Line Outputs 1-16 Dynamic Range: 121dB 'A'-weighted (typical), 20Hz - 20kHz
  • Line Outputs 1-16 Output Impedance: Nominal output impedance = 136O balanced (68O each phase)
  • Monitor Outputs 0 DBFS Reference Levels: +18dBu
  • Monitor Outputs Frequency Response: 20Hz - 35kHz +/-0.2dB
  • Monitor Outputs THD+N: -80dB (0.01 percent) unweighted, 20Hz - 20kHz; -1dBFS input
  • Monitor Outputs Dynamic Range: 120dB (A-Weighted)
  • Monitor Outputs Output Impedance: Nominal output impedance = 136O balanced (68O each phase)
  • Headphone Outputs 0 DBFS Reference Levels: +16dBm +/- 0.5dB
  • Headphone Outputs Frequency Response: 20Hz - 20kHz +/-0.2dB
  • Headphone Outputs THD + N: Less than -75dB (0.018 percent) unweighted, 20Hz - 20kHz
  • Headphone Outputs Dynamic Range: 114dB 'A'-weighted (typical), 20Hz - 20kHz
  • Headphone Outputs Output Impedance: 10O
  • Headphone Outputs Headphone Impedance: 32O - 600O
  • Mic Input To Input: Less than -80dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Mic Input To Output: Less than -130dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Output To Mic Input: Less than -165dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Line Input To Line Input: Less than -100dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Line Input To Output: Less than -150dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Output To Line Input: Less than -150dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Output To Output: Less than -95dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Headphone To Headphone: Less than -95dB; 20Hz - 20kHz (driven channel at -20dBFS)
  • Supported Sample Rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4 percent / -0.1 percent / +0.1 percent / +4.167 percent) at 24 bit
  • Clock Sources: Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync, or from Dante Network Master
  • Instrument Inputs Channel Count: 2 Channels In
  • Instrument Inputs Instrument Inputs: 2 x 1/4" TS stereo jack
  • Headphone Outputs Channel Count: 2 Stereo Channels Out
  • Headphone Outputs Headphone Outputs: 2 x 1/4" TRS stereo jack
  • Thunderbolt Channel Count: Up to 64 In and 64 Out
  • Thunderbolt Ports: 2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)
  • Pro Tools Channel Count: Up to 64 In and 64 Out (32 In and 32 Out per connection)
  • Primary Port: 2 x Mini DigiLink
  • Dante Channel Count: Up to 32 In and 32 Out
  • Dante Input And Output: 2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above)
  • Mic Inputs Channel Count: 2 In
  • Mic Input: 2 x Female XLR
  • Line Level Channel Count: 16 In and 16 Out
  • Line Level Input: 2 x DB-25 connectors (AES59)
  • Line Level Output: 2 x DB-25 connectors (AES59)
  • ADAT Channel Count: Up to 16 In and 16 Out
  • ADAT Input: 2 x TOSLINK connectors
  • ADAT Output: 2 x TOSLINK connectors
  • ADAT Channel Assignments @ 44.1 KHz, 48 KHz: Port 1 = Channels 1 - 8, Port 2 = Channels 9 - 16
  • ADAT Channel Assignments @ 88.2 KHz, 96 KHz: SMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
  • ADAT Channel Assignments @ 176.4 KHz, 192 KHz: SMUXII: Port 1 = Channels 1 - 2, Port 2 = Channels 3 - 4
  • S/PDIF Channel Count: 2 In and 2 Out (Optical up to 96kHz)
  • S/PDIF Input: 1 x RCA phono socket (1 x TOSLINK up to 96kHz)
  • S/PDIF Output: 1 x RCA phono socket (1 x TOSLINK up to 96kHz)
  • Monitor Outputs Channel Count: 2 Out
  • Monitor Outputs: 2 x 1/4" TRS stereo jack
  • Loop Sync Input: 1 x BNC 75O port
  • Loop Sync Output: 1 x BNC 75O port
  • World Clock Input: 1 x BNC 75O port
  • World Clock Output: 1 x BNC 75O port
  • PSU: 1 x IEC Input
  • OLED Screens: 3 x Screens (menus and metering)
  • Height: 44mm/ 1.73"
  • Width: 483mm/ 19.02"
  • Depth (Chassis Only): 340mm/ 13.39"
  • Weight: 5.04kg
  • Power PSU: 1 x Internal, 100-240V, 50/60Hz, consumption 120W
  • Operating Temperature: Operates at up to an ambient temperature of 40 degrees Celsius
  • Fan: Dual fan

Package Contents

  • Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with Dante
  • Red 2 and Red 3 EQ/Compression plug-ins (AAX/AU/VST compatible)
  • RedNet Control software
  • IEC power cable
  • User manual

Focusrite Red 16Line 64 x 64 Thunderbolt 3 and Pro Tools|HD Interface with Dante

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