Shozin Fukui's 964 Pinocchio (ピノキオ√964, 1991) is one of the landmark works of Japanese underground cinema, a body horror and cyberpunk film that pushed the limits of low-budget independent production into genuinely confrontational territory. The film follows a discarded sex cyborg left to wander the streets of Tokyo, and Fukui's relentless visual approach established him as a major figure in the denki-gai and underground film scenes that flourished in Japan in the early 1990s. This original Japanese B2 was produced for the film's initial domestic theatrical release in September 1991, issued with the distinctive neon-on-black design that matched the film's aggressive aesthetic. Fukui's work from this period has attracted sustained international critical attention, and original theatrical paper from these early releases is extremely scarce.