「現代木刻運動」起源自上世紀三〇年代，最初由魯迅發起，主張以木刻／木版畫作為刻劃現實、揭露社會陰暗面的創作媒介。這運動在當時曾啟發一批藝術家投身參與，其影響在後來更逐漸擴散至鄰近地區。然而，由於不同的社會因素及發展源流，儘管相關實踐曾在各地冒現，但卻呈現相當迴異的路徑。於此，我們或需要一個跨文化／地區互聯的視角，以理解背後糾結的地緣政治及歷史問題。

這一期《亞際木刻圖繪》以「現代木刻運動」於戰後東亞及東南亞的多重軌跡為題，分別透過七篇從中、港、台、日、韓、新加坡與菲律賓視角出發的文章，勾勒此一曾橫越國界的美術運動，並探討各地藝術家及實踐者如何在「戰後」此一問題意識下將木刻版畫結合社會批判與行動，及至是在冷戰脈絡下相關實踐所遭遇的限制和困境。

This issue takes the multiple development trajectories of the Modern Woodcut Movement in postwar Asia as its theme, through seven articles from the perspectives of China, Hong Kong, Taiwan, Japan, Korea, Singapore, and the Philippines. We aim to outline not only the diverse development of this cross-border art movement in various places but also to explore how artists take postwar as a notion to combine woodcut printmaking with social criticism and action, as well as the limitations and difficulties they encountered in the context of the Cold War.

目錄 Content

編輯部 | 多重戰後：戰後東亞／東南亞的木刻運動 

Editorial Board | Multiple Postwar: Woodcut Movements in Postwar East and Southeast Asia 

町村悠香 | 日本經濟高速成長期的教育版畫運動：直面社會議題的教育實踐 Haruka MACHIMURA | Printmaking Education Movement During Japan’s Period of Rapid Economic Growth: Educational Practices in Addressing Social Issues 

稻葉真以 | 韓國的抗爭版畫 —— 解放空間與一九八〇年代 

Mai INABA | Resistance Prints in South Korea — the Liberation Space and the 1980s 

李俊峰 | 左翼木刻運動在香港的萌芽與斷裂 

LEE Chun Fung | The Rise and Fall of Left-wing Woodcut Movement in Hong Kong 

梅丁衍 | 再思台灣當代版畫發展脈絡的荊棘之路 

MEI Dean-E | Rethinking the Thorny Path of Contemporary Printmaking in Taiwan 

李丁 | 社會主義現實主義的論爭 —— 一九五〇年代的中國木刻版畫活動筆記 LI Ding | Debates on Socialist Realism: Notes on the 1950s Modern Woodcut Activities in China 

吳君儀 | 從離散到獨立：新加坡戰後木刻初探 

Krystie NG | From Diaspora to Independence: A Preliminary Study on Postwar Woodcuts in Singapore 

阿美爾・里維拉 | 由人民及為人民而創造的版畫：刻出菲律賓民族解放的自主之路 Amiel RIVERA | Printmaking by the People and for the People: Carving Our Way towards National Liberation of the Philippines