Sid Pollard (Ex-Mouseman): One of Robert 'Mouseman)' Thompson's early apprentices. One of the few apprentices not to chose a trademark animal for his own work, (although some early items reportedly initially a rabbit motif) his work is almost always unmarked, preferring to let his craftsmanship speak for itself

English Oak: The most British of woods, that can produce really special results. English oak has been used for hundreds of years to construct everything from sea-going vessels to fine furniture. Although oak grows widely across Europe and North America, craftsmen continue to cherish English oak which grows more slowly than its foreign counterparts giving it strength, durability. Quarter sawn boards are very straight grained and have distinctive growth rings and medullary rays that give a very beautiful effect as well as being renowned for their superior stability and strength

The Yorkshire School of the Arts & Crafts movement started with Robert 'Mouseman' Thompson's  transformation from jobbing carpenter to master craftsmen. By the mid-1920s he had adopted his trademark mouse (now world renowned as a symbol of quality furniture) and had his own workshop busily employing several men. As the workshop grew and over the years many of the craftsmen have taken their skills and branched out and adopted a trademark of their own, a fox, a lizard, a fish, a rabbit to name but a few, and whilst some have closely stuck to the Mouseman designs others have taken the style and adapted it. Other craftsmen, unconnected to the Mouseman workshop, have also chosen the classic Yorkshire Oak style as their own. Typical Yorkshire school items are in English Oak, with traditional pegged joints and adzed surfaces